Job Specifics:

Details:

Six DANCERS required as follows:

YOUNG LOVER (opposite female Young Lover).
ALEXEI SOFRONOV (Tchaikovsky’s manservant).
Two of Tchaikovsky’s DRINKING COMPANIONS in scene with composer.
ANATOLY TCHAIKOVSKY (Tchaikovsky’s younger brother).
JOSEF KOTEK (Tchaikovsky’s former pupil).

Each of the six dancers who appear in the above six non-dialogue roles will also appear as six ARMY-CADET ATTENDANTS in a funeral cortège in the film’s climactic scene.

These are all ideal roles for dancers trying to break into acting.

Playing ages: 20 - 25

Each artist will receive full credits in the film, travel expenses will be paid and food provided. A copy of the film in DVD format, in a DVD presentation case, will be given to each artist.

LOVE SONG: The Triumph and Tragedy of Tchaikovsky is a never-before-told biopic drama behind one of Tchaikovsky’s most popular compositions, the fantasy overture Romeo and Juliet – which spawned one of the world’s most famous and instantly recognisable love themes.

The film’s story is told through the voice of Tchaikovsky as he looks back on his life. In the 28-minute film short, Tchaikovsky is depicted in two crucial periods: aged 29 at the start of his relationship with Edward Zak; and at 53 (the age when he died) as he looks back on his life.

Tchaikovsky's same-sex orientation, which he kept private, has traditionally been considered a major factor behind his personal crises. Even so, the composer of The Nutcracker, Swan Lake, The Sleeping Beauty, The Queen of Spades, Eugene Onegin, the “1812” Overture and six symphonies was torn by ambivalent feelings on the subject of sexuality and marriage.

He married former music student Antonina Milyukova after receiving a series of impassioned letters from her. Tchaikovsky soon realized he had made a mistake: she was a nymphomaniac.

Stories of doomed love always resonated deeply with the composer. Romeo and Juliet was no exception. When, aged 29 and a Professor at the Moscow Conservatory, Tchaikovsky took up Shakespeare’s play as a musical subject, he was deeply in love with Eduard Zak, a 15-year-old student at the conservatory.

There are no scenes of a sexual nature; Love Song is not in that genre. It is a film which explores the tragic circumstances and deep emotions which led up to the creation of one of Tchaikovsky's best-loved and most revered compositions.

Love Song: The Triumph and Tragedy of Tchaikovsky will be filmed in a variety of stunning locations, both inside and outside, mainly in Hertfordshire. The centre of operations will be the filmmaker’s home in Kings Langley - just 25 minutes by train from Euston.

Filmmaker Ian Woodward was formerly a show-business writer for Britain’s national newspapers and magazines. He appeared regularly on the BBC as presenter (among others) of Radio 2’s Jazz in Britain and as an entertainment contributor to Radio 4’s Woman’s Hour.

He is the author of more than 30 books, among them Audrey Hepburn: Fair Lady of the Screen (a worldwide best-seller and never out of print since first published in 1984 and issued as an eBook in 2012 and available worldwide on Amazon); The Werewolf Delusion; Glenda Jackson: A Study in Fire and Ice; The Story of Clowns; Dance; and the best-seller Poems for Christmas.

Audrey Hepburn: Fair Lady of the Screen spawned the musical Fair Lady of the Screen, composed by Bee Gees keyboardist Rudi Dobson. The musical was released on CD by President Records.

His last four films – The Red Rose, Too Many Ghosts, Silly Robin, From Bohemia’s Woods and Fields - have won 22 international awards and been screened on TV, in theatres and open-air cinemas across the United States and the United Kingdom, as far afield as Armenia, Australia and South Korea, and right across Europe, taking in Russia, Hungary, Poland, the Ukraine, Italy, Estonia, Malta and the Czech Republic.

Too Many Ghosts will be screened in Moscow in September and in Los Angeles in December.

Website: http://encorefilms.co.uk/

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